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Another day, another attempt at  Jean Haines ‘no pressure’ washes… and as before, all the pigments used are by Daniel Smith, apart from the Cadmium Yellow…

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The LH wash is Quinacridone Burnt Scarlet, Cadmium Yellow and lots of water, resulting in the normally stubborn yellow almost disappearing. The RH wash is Perylene Red and Cascade Green with subtle clingfilm effects. I love the Cascade Green, but (and maybe this is my application…) I seem to get muddy effects from it under the clingfilm…..

The middle wash is Carbazole Violet and Quinacridone Sienna with…..salt…

image….and here is my small victory for the day…I’ve actually managed to get some half decent effects…woo hoo!!

From there, I practised some exercises from Jean’s book ‘Paint Yourself Calm’…as it has been a rather damp start here in Wales, I thought I would recall warmer days with no pressure landscapes and a loose poppy (yes, that’s what they are supposed to be!!) wash….imageimageimage

imageI am finding that Jean’s way of working up to more serious pieces is beginning to work for me…I know that my first washes are not going to be masterpieces, so immediately I don’t get anxious if things go awry…

From there, I returned to the rose wash that I am slowly building up….

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The colours are darker in reality…. but I am reasonably satisfied with this… if only I had painted it on heavier paper – (it says it is Archival Quality Extra Heavy Weight Cold Press Paper 180lb) the edges have curled and there is slight buckling with the amount of water I used. However, as this was supposed to be just a study, I shouldn’t be too disappointed…

I even have another effort on the go….

imageso we will see how this progresses….

 

 

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