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Whenever I go to an art shop or browse an on-line art catalogue I am always overwhelmed by the selection of paper on offer…paper for all mediums and preferences..

For those of you kind enough to stop by and read my blog, you will know that I have a rather parsimonious attitude to the paper I practice on…using only old sketchbook sheets…and even these vary in weight…

…but today I decided to go mad, call it Friday Frivolity if you will…

….the above are initial watercolour washes… the bottom right is on sketchbook paper whilst the other two are on 300lb Fabriano Artistico HP paper – I know, whatever was I thinking….

It’s fairly obvious how the sketchbook paper buckles under the amount of water I use – and I am lazy and can’t be bothered to stretch it – but the Fabriano paper is lovely. It withstands lots of water and a lot of rough treatment; I used a brush along with a roller, old credit card and stick to move the pigment around… without damaging the surface.

I continued to add washes….and with the help of Adobe Photoshop Express for virtual cropping and framing…these are the results…

Sticking with my favourite colours of Daniel Smith Rich Gold, Indigo, Paynes Grey and Quinacridone Gold…..I based these on Norfolk reed beds… ??

It was actually lovely to have experimental pieces that might be worth framing and not be worried that the paper has buckled…there’s a lesson in there somewhere…

Only problem now is that I would like more of the Fabriano paper…doesn’t bode well for my piggy bank when I head off to the Patchings Art Festival next week….

 

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