The Artist’s Curse…..

Spent the morning experimenting…..actually just playing, with no particular aims, or thought…

Using the sample paper I got from St.Cuthbert’s Mill at the Patchings Art Festival – a mixture of Saunders Waterford and Bockingford – I put the pigment directly onto the paper before adding water, ink, and in some cases, granulation fluid…with somewhat mixed results…

…perhaps that was to be expected as I definitely wasn’t feeling it …..

Even tried a colour I don’t usually use – Perylene Red – in an effort to get the creative juices flowing….not sure it worked….

Decided to take a closer look at one of the pieces….

…and thought that if I turned it on it’s side….

…I could potentially see honesty seed heads and teasels….so I did the fatal thing, the artist’s curse….and fiddled…

….you would think I would know by now – what can I say, I’m a slow learner …oh well back to playing….oh sorry, I mean experimenting…

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Magic in the Water…

Despite living in central England I love the water….I really empathise with this quote by Loren Eiseley – ‘If there is magic on this planet, it is contained in water.’ (Although, I hasten to add, I also find magic in the mountains….) Whether it’s the sea, a lake, a river, stream, puddle, rivulet or ripple, there is something about water that draws me to it….

Just over 100yards from where I live is the River Soar and is a favourite place of mine to wander along, to sit awhile….

…to ponder and wonder….to such an extent that I am now reading Tristan Gooley’s book, ‘How To Read Water; Clues and Patterns from Puddles to the Sea’..

Along with the physical properties of water, Gooley intertwines history, anthropology and his own experiences…am finding it fascinating…..

Water also plays a large part in my attempts at art….and I have spent the morning playing with my favourite Daniel Smith watercolours, lots of water, sepia ink and granulation fluid – something I had forgotten I had until Ann Blockley used it in her demo at Patchings Art Festival

I used Saunders Waterford 140lb NOT paper produced by St. Cuthbert’s Mill and Daniel Smith watercolours – Perylene Green, Lunar Blue, Blue Apatite Genuine, Moonglow and my favourite, Rich Gold Green…along with granulation fluid and a black watercolour pencil…and water!

The following three are my favourites – judiciously cropped and framed using Photoshop…

Not sure where this experimentation will lead to, if anywhere, but it’s fun…and, being a person who puts such pressure on myself to produce masterpieces every time I pick up a brush…having fun and enjoying my art is something I should concentrate on….the magic will come, hopefully!!