Further Friday Fun….

I know….my posts are like buses… you wait ages for one and then two arrive almost together…

Anyhow,  remembering that Friday is supposed to be my ‘play day’…although I actually started dabbling with these yesterday… I have continued experimenting…

Working in mixed media I am looking at ways of capturing the ethereal quality of sky and water, interspersed with bird flight/song… apologies for sounding pretentious…

I began in my trusty square sketchbook from Seawhite of Brighton using Daniel Smith Indigo watercolour and sepia FWAcrylic ink applied over white oil pastel…

Going darker…

Today I have been working on Cass Art Mixed Media paper 250gsm…

…tearing it up to make the similar portrait style…

I do work with quite a lot of water and I found the paper started to curl which made it a bit awkward when applying the ink…(I am lazy and don’t stretch, hence I like 250/300lb paper)…however, I like the high white, slightly rough textured surfaced and the curling did result in some interesting effects…and they are drying flat.  Not sure where these are going but will continue to experiment!!

What is your preferred surface/paper…?

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The Artist’s Curse…..

Spent the morning experimenting…..actually just playing, with no particular aims, or thought…

Using the sample paper I got from St.Cuthbert’s Mill at the Patchings Art Festival – a mixture of Saunders Waterford and Bockingford – I put the pigment directly onto the paper before adding water, ink, and in some cases, granulation fluid…with somewhat mixed results…

…perhaps that was to be expected as I definitely wasn’t feeling it …..

Even tried a colour I don’t usually use – Perylene Red – in an effort to get the creative juices flowing….not sure it worked….

Decided to take a closer look at one of the pieces….

…and thought that if I turned it on it’s side….

…I could potentially see honesty seed heads and teasels….so I did the fatal thing, the artist’s curse….and fiddled…

….you would think I would know by now – what can I say, I’m a slow learner …oh well back to playing….oh sorry, I mean experimenting…

Magic in the Water…

Despite living in central England I love the water….I really empathise with this quote by Loren Eiseley – ‘If there is magic on this planet, it is contained in water.’ (Although, I hasten to add, I also find magic in the mountains….) Whether it’s the sea, a lake, a river, stream, puddle, rivulet or ripple, there is something about water that draws me to it….

Just over 100yards from where I live is the River Soar and is a favourite place of mine to wander along, to sit awhile….

…to ponder and wonder….to such an extent that I am now reading Tristan Gooley’s book, ‘How To Read Water; Clues and Patterns from Puddles to the Sea’..

Along with the physical properties of water, Gooley intertwines history, anthropology and his own experiences…am finding it fascinating…..

Water also plays a large part in my attempts at art….and I have spent the morning playing with my favourite Daniel Smith watercolours, lots of water, sepia ink and granulation fluid – something I had forgotten I had until Ann Blockley used it in her demo at Patchings Art Festival

I used Saunders Waterford 140lb NOT paper produced by St. Cuthbert’s Mill and Daniel Smith watercolours – Perylene Green, Lunar Blue, Blue Apatite Genuine, Moonglow and my favourite, Rich Gold Green…along with granulation fluid and a black watercolour pencil…and water!

The following three are my favourites – judiciously cropped and framed using Photoshop…

Not sure where this experimentation will lead to, if anywhere, but it’s fun…and, being a person who puts such pressure on myself to produce masterpieces every time I pick up a brush…having fun and enjoying my art is something I should concentrate on….the magic will come, hopefully!!

Learning to trust the process & enjoy the journey…

 

I don’t want this post to be a wallowing ‘Woe is me’ post but feel I have to fill in some of the background details so the above title becomes clear….

I have really struggled since graduating from Loughborough University to find direction in my art. Although it was stressful, I thoroughly enjoyed creating Connecting Threads, my final piece based on the canals and cotton mills of the Midlands.

Connecting Threads
Connecting Threads

A large scale installation that included sound, I found it difficult, for varying reasons, to pursue this genre of art once I had graduated. I therefore reverted to a medium which was more practical – drawing and painting; I even managed to sell two or three pieces.

Bowed But Not Broken
Bowed But Not Broken

Still, I found it difficult to define my style, subject matter and medium – I dabbled with pencil, ink, charcoal and watercolour…..nonetheless I felt lost, going from tightly drawn figurative pieces such as Bowed But Not Broken to looser interpretations of the Lincolnshire landscape and the West Wales Coast…

Fenland Memories
Fenland Memories
Cei Bach
Cei Bach

No longer in the bubble of university I felt alone, rudderless, doubting that I  would ever achieve my dreams. It’s now I have to admit to spending a lot of time on social media, procrastinating…..And it’s there that I came across the work of the self-proclaimed ‘watercolour addict’ Jean Haines. I must admit I enjoy using watercolours although I have had no formal training, which could be viewed as a good thing! Whilst I appreciate the skill of the more formal watercolour artists, I was drawn to Jean’s work because she paints in a loose manner, letting the pigment and water work together to create pieces full of life, light and energy. Suffice to say I was hooked and became a bit of a ‘Jean Haines’ addict ( or should that read stalker, in the nicest possible way I hope), reading her blog watercolourswithlife.blogspot.co.uk,  her books, looking at her dvds, watching her demonstrate at the Patchings Art Festival…

The icing on the cake – attending one of Jean’s workshops – came this August; an early birthday present from my very supportive husband. What is immediately evident on meeting Jean is her sheer passion for watercolour! The day was filled with brilliant demonstrations, one to one sessions, and fun and laughter all the way! Jean is a very generous teacher, spending time making everyone feel special..

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imageThe above sunflower piece still requires further work, but I came away inspired…

Jean advocates starting each of your painting sessions playing with pigment to produce three individual washes to help you learn how the colours mix (or not) and I have been endeavouring to follow her advice and teachings. (I would add here, that I take no credit for the methods and subject matter – they are all Jean’s and Jean’s alone.)

imageI have practised the following exercises from her books and dvds…and posted the results, good or bad, on Twitter and Facebook..

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As I said earlier, Jean is a very generous lady, and even though she is super busy and very much in demand, she always finds time to comment on my efforts, giving encouragement and suggesting ways to improve.

Initially I struggled, but gradually I have become more confident, trusting myself more and, from just being pleased when I managed to produce ‘something’, I have found myself seeing areas for improvement, and more importantly, knowing what needs to be done….

I shall endeavour to chart my progress in subsequent posts but suffice to say I am learning to trust the process and …yes I am enjoying it!

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